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dc.contributorUniversitat Ramon Llull. Facultat de Comunicació i Relacions Internacionals Blanquerna
dc.contributor.authorde Felipe Allué, Fernando,
dc.date.accessioned2019-05-21T18:21:43Z
dc.date.accessioned2023-07-12T10:34:24Z
dc.date.available2019-05-21T18:21:43Z
dc.date.available2023-07-12T10:34:24Z
dc.date.issued2006
dc.identifier.urihttp://hdl.handle.net/20.500.14342/567
dc.description.abstractParallel in time though always tending towards esthetic convergence and narrative hybridization, the history of the cinema and the history of advertising continue, against all predictions, to mutually exclude each other. Absurdly embarked upon a sterile and already over-long debate on their respective specificities, both disciplines compete to achieve within the convulsed and ever more intermediatic contemporary iconosphere that position of privilege to which each separately aspires. The intention of this brief article is not, of course, to close the debate falsely in either direction. The only intention here is to provoke, literally, new lines of discussion and reflection which may lead to future and somewhat more fruitful encounters among specialists in each medium.eng
dc.format.extent14 p.cat
dc.language.isospacat
dc.publisherUniversitat Ramon Llull. Facultat de Comunicació i Relacions Internacionals Blanquernacat
dc.relation.ispartofTrípodos, núm. 18, 2006cat
dc.rights© Facultat de Comunicació i relacions internacionals Blanquerna-URL. Tots el drets reservats
dc.sourceRECERCAT (Dipòsit de la Recerca de Catalunya)
dc.subject.otherPublicitatcat
dc.subject.otherCinemacat
dc.titleLa sombra de una d(e)uda: publicitarios y cineastascat
dc.typeinfo:eu-repo/semantics/articlecat
dc.typeinfo:eu-repo/semantics/publishedVersioncat
dc.rights.accessLevelinfo:eu-repo/semantics/openAccess
dc.embargo.termscapcat
dc.subject.udc65


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